Dottore
Gianni is in a reflective mood this morning, as he sits on the floor of his new
apartment and awaits the delivery of his modest new dining room table and
chairs. He spent seven days in New York City last week, his first visit in two
years, and very much enjoyed it. At the same time the trip was bittersweet for
several reasons.
Why
did I go? Well, very kindly and flatteringly, members of the faculty
of the
Department of Theatre Arts invited me about two weeks prior to the event known
as Field Studies. For those of you who don’t know, Field Studies is an annual
pilgrimage to Manhattan by senior theatre students and their faculty mentors.
During the week the seniors sit in panels and travel to offices and theatres in
different parts of the city to get to know alumni most of whom are working in
the business, and to learn from them how to get work, how to deal with a rough
and expensive city, and how to stay sane as they make the transition. The
seniors also see five plays and musicals during their stay, so a good bit of
work is mixed with a measure of pleasure.
My field studies colleagues at breakfast |
My
job for the past many years has been to shepherd the B.A. Drama students, for
whom I have been faculty coordinator ever since I arrived at Ithaca in 1990,
through the course of Field Studies. It started in 2000, when I was added to
the list of Field Studies faculty primarily to do something with the students
while the performance majors rehearsed and executed their “showcase.” That audition-style event was conducted on Monday afternoon and evening of the week
until a few years ago, when it was wisely shifted to the end of the school year
(so as to give the graduating senior actors an immediate shot at work, rather
than having to remind agents and casting directors that they were seen by them
in a showcase three months prior).
Monday
afternoons were relatively useless times for the B.A. students until I was
drafted to lead them on what has become known as Dr. Jack’s
Downtown Theatre
Tour. I created this tour to give the seniors an activity during those hours,
but also because Field Studies is focused largely on Broadway, or at least on
Midtown Manhattan. I wanted to show the B.A.s at least the other theatres in
town, and also to remind them of subjects discussed in my Theatre History
course, which they took in their sophomore year.
DJ's Dowtown Tour at the Cherry Lane Spring 2013 |
The
downtown tour has varied from year to year in specifics, often because of the
weather (it can be and has been bitter cold in mid-March, as well as rainy, icy
or snowy) but also because my thinking has evolved about where to begin, what
to include. Also on various visits alums have had work in the area and can get
us into theatres, notably the Lucille Lortel, the Cherry Lane, the New York
Theatre Workshop (NYTW) and the Public. Once we were lucky enough to be
taken into
La Mama ETC by one of the fellows who worked there, even though we had no alum
presence at that grand dame of Off-Off Broadway.
The recently restored Public Theatre |
Those
of you who are theatre-savvy will know just by my mentioning the theatres above
that the tour focuses primarily on Off and Off-Off Broadway theatres, where two
revolutions took place, the first in the early 1950s against commercial fare
that seemed repetitive and not at all challenging, the second against the
first, as by the end of the Fifties Off Broadway was already becoming stodgy
and institutionalized, in the minds of many young artists.
I’ve
only missed two of these field studies weeks, one when I was on a year-long
sabbatical in 2005-06 and last year (2011-12) which was my final year and
during which I took a final, or TERMINAL sabbatical. Sounds like a disease from
which one never recovers, doesn’t it? That I was invited back this year was
especially sweet for me, as the students involved were the last group to whom I
taught Theatre History. Icing on the cake? I also got to know many of them
better during last academic year for while I was in London, so were many of
them.
With
the exception of a few students that I interviewed for the B.A. program and/or
advised in their freshman year, after this academic year I will be
“history.”
At colleges institutional memory lasts only about four years, for obvious
reasons. Oh, my colleagues remember me, most I’m happy to say fondly, and who
knows? I may be invited back in a year or two to receive Emeritus status. It
all depends on the whim of the faculty. Actually I’ve already been invited
back, after a fashion, by Logan Tracey, one of my former students who is a
point person on next year’s reunion. She wrote me first thing, because she likes
and admires me, also because she, probably rightly, thinks that my presence
might draw in a few more students that would otherwise have not attended. We’ll
see.
The celebration at my last history class. spring 2011 |
But
the point of that rather rambling last paragraph is that I am now really out to
pasture, and while in part that is a very good thing, it also feels a tad
bittersweet, as I noted above. For a long time my life consisted of teaching
and advising students, and as I look back on a life that is probably 70 to 80% behind
me, those years were the most successful of my life. I was a good teacher and
probably an even better adviser. The students knew it, my colleagues knew it,
and best of all I knew it. After approximately 20 years of floating around the
theatre industry, never knowing how good I was, and for the most part thinking
that I could not have been all that good, judging from the amount of work that
I landed, it was a great relief to be positively reinforced almost daily.
Nor
did it hurt to receive a decent paycheck every two weeks!
Of
course I still receive paychecks, well, retirement checks, that keep me about
as solvent as I was during my 20-plus years at Ithaca College, but while I do
not miss teaching as such, I do seem to miss the interaction with young people.
I think I may have written earlier in this series of blog posts that I was
convinced that absent the contact with my students, who I believe keep me
young, I would shrivel up into some sort of prune-shaped object and fade
rapidly away.
So
far I’ve not, thank the gods, but one of the “bitter” aspects of last week was
the presence of students, who breathed back some life and energy into a
slightly diminished Doctor Jack/Dottore Gianni. I also found myself wanting to
see more of them than I was able to, wanting more time with them than they were
able or willing to allow me. Of course a few of them drove me mad, as a few of
them had done daily throughout my more than 20 years of teaching. The names
will be withheld to protect the guilty. But I was never got to have that drink
with the TAMs for example, or to raise a pint with some of the B.A.s,
performers or design/tech students that somehow I thought would come with the
territory.
I
DID get to meet alums, some of my very favorite former students, for dinner,
drinks or coffee. And that was part of the “sweet” that Field Studies brought:
Carly and her beau, Julie, Chrysta, Nick and Sam, Larry and Amanda, Maggie
(actually two of those) briefly, Alison, a few others as well, but most of
those for moments only before or after panels. And a rush of them made for me
at the final reception. All that was rewarding and I really regret that I was
unable to spend more time with all I saw, or any time with those I hoped to see
but was unable to.
Dottore Gianni & Carly DiFulvio |
Alison Riley Miller and I |
after dinner with alums Julie Starr, Sam Byron and Chrysta Naron - Nick Gandiello had to dash off early and missed the photo opp |
Jack with 07 alums Shauna Goodgold, Abby Church and Marisa Dargahi at the reception |
My
prime contributions included taking a group down to the New School on Bank
Street (on a beautiful day, by the way) to chat with current grad student Sam
Byron and the director of admissions about their programs in
particular and grad
school in general; to take a large group out to the Williamsburg section of
Brooklyn to attend a panel with excellent alums Jeremy Pickard, Dan Lawrence,
R.B. Schlather and surprise guest Dan Stermer, after which we saw the final
dress of MARS, directed by Jeremy, designed by R.B. and performed by Dan with
others; to take a smaller group to see Kali DiPippo at the New Victory Theatre
to discuss youth theatre. And of course to take students on my downtown tour!
At the subway station on our way to Brooklyn |
That
tour was doomed to mediocrity because it was no longer held on a Monday, but on
a Wednesday. First, and not atypically, the weather turned foul: a wintry mix
along with gusty cold blasts of wind. Monday is a
“dark” day for most theatres
and in the past I have been able to take students into a few, as I noted above
in this post. Not so on Wednesday, so on a day of bad weather the tour turned
into more of a slog than a pleasure. It was also sandwiched into a smaller
amount of time than usual, so it had to be truncated. For the first time in memory
I was unable to include the NYTW and La Mama, highlights of the tour but too
far afield to visit given the amount of time and the nasty weather.
BAs bundled up on the subway train to the Downtown Tour |
I’m
sure several of the students thought it fine. Some obviously remembered theatre
history lectures on the theatres, which of course delighted me. At the very end
for example, Carly and Alyssa remembered the Astor Place Riots. I actually
accomplished a very brief and uncoordinated jig when they did so.
But
yes, that word again: bittersweet. For me.
Not
surprisingly, given my impossible expectations, that some of the finest times
were spent on my own. (This of course is true of ALL travels with that self-styled hermit Dottore Gianni!)
The long walk around 8th, 9th and
10th Avenues, taking me to Lincoln Center and the southwest corner
of Central Park, on the day I arrived, one day before the beginning of Field
Studies. It was cold, but crisp and clear.
I also discovered on the walk that
there was a Pret a Manger only a block away from the hotel! Prets are one of my
favorite places to get a quick sandwich or bowl of soup in London, and I’m very
pleased that more and more are springing up in New York City. I think I had
four lunches at that Pret, and pretty pleased I was at that.
Central Park from near Columbus Circle |
Pret a Manger in Manhattan! |
I
also managed to spend a few hours on Tuesday at the Met (not the opera, the art
museum). A confession: though I plan to see parts of the museum not all that
well known to me I always seem to charge into parts I know well
instead. The
Greek and Roman rooms, particularly in the last few years since they have been
re-invented in a wonderful way, draw me instantly, and that’s where I started
last week. My spring break to Siracusa in Sicily last year made the yearning to
return to that section all the stronger. Then I head upstairs to the rooms
European art, which was my second area to visit last week. In spite of some
seemingly major renovations many of my favorites were on display there, and
were somewhat informed by my year abroad, particularly because of my seminar on
Performing Arts and the French Revolution. Finally I wandered around the
well-laid out American Wing…no time for other sections, alas, but a great
excursion, on another crisp, beautiful morning.
The Greek & Roman Galleries at the Met |
The American Wing at the Met |
My
last excursion was first thing the morning of my last day in Manhattan.
I
needed to be at Newark Airport for my afternoon departure, but managed to walk
the latest “park” in Manhattan, the High Line, very man-made, very cleverly
placed between 30th St and Gansevoort St on the west side, as the
name implies ABOVE ground level, following old rail tracks through Chelsea and
into the West Village. Following lousy weather Wednesday through Friday the
temperatures warmed and the skies cleared for this final walk of mine.
Along the High Line |
The
theatre we saw was with one or two fine exceptions, mediocre. Hands on a Hard Body was a disgrace, not
just for its mediocre music and choreography (which some of my clever students
dubbed “car-ography!” I’ll not bother to explain, and I’d urge you not to
bother with the show, which most egregiously attempted to deal with several
real problems such as the recession and illegal aliens with one quick musical
number after another – shudder! Ann,
a one-person show based on the life of Ann Richards, feisty governor of Texas,
was a good effort but would have benefited by being cut of about an hour’s
worth of material. Better was Lucky Guy,
primarily because of Tom Hanks’s energetic performance as Mike McAlary,
controversial tabloid journalist. It was far too long – one wonders how it
might have changed had its author, Nora Ephron, not died before previews began
– there seemed as a result a reverence for all of her words, which were not all
that good. Earlier in the day we had as I mentioned above, gone out to Brooklyn
to see the Superhero Clubhouse production of MARS, one of alum Jeremy Pickard’s plays about the environment,
using each of the planets as platforms to look down on earth and its lack of
being “green.” While it may not have been everyone’s cuppa, I very much enjoyed
this piece that mixed dance, song and dialogue, and which employed projections
to good effect as well.
Perhaps
the best day of mid-town theatre was Wednesday, when we saw the much lauded
(and deservedly so) Once, based upon the film about a Dublin musician and the
young Czech woman who resurrects him and his music. The film was fine, but the
creative team managed to theatricalize it in a most inventive manner. I was
delighted. That evening we saw Old Hats,
featuring two old pros in fine form, Bill Irwin and David Shiner, up to their
old shenanigans and proving that “age cannot wither…nor custom stale” their
talents, accompanied by the delightfully sinister pianist/singer Nellie Mackay
– this was pure joy and offered a well-deserved barrel of laughs at mid-week.
On
my own Friday night I ventured out to what proved a disappointment: Vanya and Sonia and Masha and Spike, a
spoof of Chekhov by Christopher Durang. Looking forward to a very clever piece
I found much of it childishly stupid. Fine performers reduced to ridiculous
antics, redeemed only occasionally by bravura turns topped by David
Hyde-Pierce’s long speech using Uncle Vanya’s breakdown to mock, among other
things, age in general and the digital age in particularly. I seemed the only
person in the audience who did not instantly leap to his feet at curtain call.
Well, there was one other, directly in front of me. This man was so informed he
had to be separated slowly from his walker and more or less backed down into
his seat. In other words he couldn’t have stood on his own if he’d tried. I
just didn’t want to.
So,
to sum up, a very good week, but bittersweet.
Coda:
a comedy of errors at the airport, and an appropriate read
I
got to Newark early, and all looked good to go on time, if not even a few
minutes early. We were boarded by a rather grumpy flight attendant, and then we
waited. There was a little activity in the cockpit, and all of a sudden we
heard that due to a “crew discrepancy” we had to go back in the terminal
and
await instructions. Everyone was pretty grumpy by this point, and a number of
thoughts were offered as to why this happened and to what a “crew discrepancy”
referred. We found out via a bold passenger that the captain and the flight
attendant got into a verbal altercation just before we boarded, and the captain
said something to the attendant to the effect of: “If you don’t like it you can
leave.” And sure enough the guy left! So WE were left with no flight attendant
and were unable to fly. WHATTTTT!!! That was a new one on me. It took about an
hour and a half to locate a new flight attendant. There just happened to be one
in the terminal, otherwise the flight may have been cancelled, so while people
were getting more and more irked by the moment, it could have been worse. When
we saw our new attendant, an attractive African American woman, arrive at the
gate we all applauded. Within moments we were back on board and preparing to
pull back from the gate. The woman was god’s gift to flight attendants! I don’t
remember when I’ve seen one SO friendly and solicitous, so charming. In fact I
got it into my head that the airlines must keep people like these on hand as
secret weapons against anger and even lawsuits. So that was miracle number one.
Miracle number two was that for the first time in my memory, when our tiny jet
pulled out and headed towards the take-off runway we were number TWO in line! I
have never been on a flight out of Newark that actually left the ground without
having to wait for planes which were hopelessly backed up. And this was a very
busy Saturday afternoon. I think that we must have been given priority, again
to keep people from reprisals against the airline. Whatever the real story, I
will not forget the weird reason for the delay, and more importantly the
goddess of the skies who came to our rescue and allowed the flight to go
forward.
Waiting to re-board our tiny jet at Newark Airport |
I
had nothing to read for the wait at the airport, so I did something I don’t
usually do. I bought a book at Hudson News, the ubiquitous stand at
transportation hubs, be they bus, train or airport, in the vicinity of New York
City. I almost never buy because I’m not a great fan of best sellers, and I
don’t like to pay inflated prices for books.
So I was very pleased to see a copy of Jack Kerouac’s On the Road, one of the favorite novels of my youth. For a number of reasons, including perhaps to try to re-capture some of my youth, I have been intending to read it, and because it has been made into a motion picture there it was featured at the airport! Little did I know when I bought it how much of it I’d be able to read before our flight finally left, but I’m very glad I did.
So I was very pleased to see a copy of Jack Kerouac’s On the Road, one of the favorite novels of my youth. For a number of reasons, including perhaps to try to re-capture some of my youth, I have been intending to read it, and because it has been made into a motion picture there it was featured at the airport! Little did I know when I bought it how much of it I’d be able to read before our flight finally left, but I’m very glad I did.
On the Road reminds me that I AM back
on the road. That trip to New York was only the second I have taken since
retirement longer than a day trip. And while it may have been somewhat bittersweet it was a great time away, and it WAS in fact travels! This blog was begun because of a request by
two students, Kelsey and Jen, that I write about my travels. Lately it has
turned into a blog about my experiences at concerts of classical music, but with any luck more of the posts in the
future will return to the topic of travels with Dottore Gianni/Dr Jack in search of whatever. Here’s hoping…and
to quote Kerouac: “Lackadaddy I was on the road again!”
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